What Would Ethel Do?
Thursday, May 18th, 2006Hi, people! Welcome to my web log. When I first thought of creating a web site to offer the spiritual guidance I’ve been providing for years, I felt very excited. Then the fearful part of Diane’s mind rose up in horror: “Why would I choose to expose myself globally when what I do is still so misunderstood, not to mention so little known that there isn’t even a name for it? Why would anyone want to do such a thing for that matter? No, I’ll stay safe and just keep offering my services here in Asheville where my work is accepted.”
This inner dialogue ebbed and flowed over the next few days until suddenly I thought of Ethel and asked myself, “What would Ethel do?” I knew the answer before I finished asking the question. Allow me to back up and introduce you to Ethel. In 1992 she changed my life and will always be a touchstone for me. That October I was a recently divorced, fortyish social worker just beginning to reawaken my long dormant creative powers. There was a Halloween party coming up at my workplace. I knew this was my chance to break out. I didn’t want to go as someone famous — anyone can do that. Perhaps a twist on that theme; an unknown, barely talented but ambitious relative of some celebrity. I kicked this around for awhile.
A couple of weeks before the party it came to me in a dream: Madonna’s cousin! Oh yeah. Over the next few days this character unfolded and Ethel walked — no, strutted — into my life. Ethel Ciccone, Madonna’s cousin from the Bronx (with appropriate dialect): a part-time, freelance dental hygienist whose real talents (according to her) lay on the Broadway stage, although so far her talent had eluded anyone casting anything. I’ll let Ethel take over: “I am aw-bviously the more talented one in the family. I wasn’t named afta my idol, Ethel Merman, for nuttin’. Madonna’s all twalk!” We now watch as Ethel yanks open her lace jacket to reveal a black bustier (French corset) à la Madonna, and belts out the first verse of “Like A Virgin” with a Merman-esque delivery that knocks ‘em dead every time.
The afternoon of that office party I was, for the (very) first time (oooh!) the life of the party. I had acted in children’s theater and knew I was a performer at heart, but as sometimes happens to young girls, I became too self-conscious by adolescense to follow it. The next day my boss, who was a New Yorker, accosted me in the hallway.
“Doi-ane,” she said loudly, unwittingly reminding me who had actually inspired Ethel’s accent and style. “Do you think Ethel would be available to sing at my reti-ya-ment pah-ty next week?” “Yes,” I said. “I believe she would.” And so she did. Before 60 people, Ethel, in g and full regalia, sang “Everything’s Coming Up Roses,” Ethel Merman’s signature tune from “Gypsy.” After a little initial nervousness, she was a sensation.
What does this have to do with you, dear friends? In the ensuing weeks I began asking, “What would Ethel do?” Whenever I felt intimidated or shy, she was always there, being who she is in a big way, with no apologies. We each have an Ethel within us, urging us to play big instead of staying small and safe. Ethel gave me permission to allow the boisterous, life-embracing part of Diane (who had learned early on to stuff her anger and please others) to come out and announce “I’m here!” to the back of the auditorium.
Acceptance of the entire cast of characters we each call our own plants both our feet firmly on the road to wholeness and fulfillment. Who is your Ethel? She may have something very different than mine to show you about yourself, but chances are you’ll find her in a dark corner where you may have left her long ago, out of fear that was real to you. You and the world need to hear from her.
“Now’s your inning
Stand the world on its ear.
You’re gonna set it spinning
That’ll be just the beginning…”
–from “Everything’s Coming Up Roses” by Jule Styne and Stephen Sondheim